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This classic cabinet rolls on SLANT front loaded WGS GREEN BERET ( greenback ) speakers.

The 12” Green Beret™ guitar speaker brings crunchy cone breakup, growling bass, great headroom, and aggressive mids together better than any other 25 watt speaker. Upgrade for Celestion™ G12M Greenback™.

This baby is capable of holding 100 Watts, 8 Ohm, MONO, or divided 50 Watts, 16 Ohm, STEREO. Perfect match for the MLC SUBZERO X on KT66 or MLC S_ZERO 60 & S_ZERO 100 on EL34 tubes.

MLC 212 F 150 WATT

This cab is fast, tight, sensitive and cuts through like no other one does. Pro guitar player's choice. Great for studio and live applications. 

Front loaded WGS RETRO 30’s speakers for even more aggressive sound. Four bass reflexes deliver a balanced bottom and crisp mid range makes it ultra-versatile for any kind of music style. 

Can be placed Horizontal or Vertical. 

The 12” Retro 30™ speaker is a brighter and more articulate version of the WGS Veteran 30™ 

( Vintage 30 ) speaker. 

The Retro 30™ also boasts a deeper and tighter bottom end. This speaker is extremely versatile and comes alive on the dirty channel.

HUGE Punch, back loaded WGS VETERAN 30’s. An excellent choice for all styles from blues to heavy metal.

Great for studio and live applications. Can be placed Horizontal or Vertical. 

The 12” Retro 30™ speaker is a brighter and more articulate version of the WGS Veteran 30™ 

( Vintage 30 ) speaker. 

The Retro 30™ also boasts a deeper and tighter bottom end. This speaker is extremely versatile and comes alive on the dirty channel.

The MLC 2×12 straight speaker cabinet comes loaded with two WGS VETERAN 30’s speakers mounted on back, is capable of handling 120 watts, 8 Ohm, MONO, or divided 60 watts, 16 Ohm, STEREO, and is the perfect cabinet to match the MLC S_ZERO 100, 60, 45 and 20.

This baby is designed to replicate the sound and feel of 4×12 cabinets. Since the early 90’s these cabinets have replaced the stiff 80’s style units to become the industry standard for stereo and wet-dry-wet rigs as well as home recording, after all microphones think they face a 4×12. 

Closed back with dual front bass reflex, plenty of low end with nice bell-like highs. 

The MLC 1×12 straight speaker cabinet comes equipped with one WGS RETRO 30’s speaker mounted in front, is capable of handling 75 watts 8 Ohm, and is the perfect cabinet to match the MLC S_ZERO 60, 45 and 20.

This baby is designed to replicate the sound and feel of 4×12 cabinets. 

Back loaded construction deliver more bottom end tone 

Since the early 90’s these cabinets have replaced the stiff 80’s style units to become the industry standard for stereo and wet-dry-wet rigs as well as home recording, after all microphones think they face a 4×12. 

Closed back with dual front bass reflex, plenty of low end with nice bell-like highs. 

The MLC 1×12 straight speaker cabinet comes equipped with one WGS VETERAN 30’s speaker mounted on back, is capable of handling 75 watts 8 Ohm, and is the perfect cabinet to match the MLC S_ZERO 60, 45 and 20.

Low gain overdrive, working great with all kinds of amplifiers and pasting itself great on every Channel. 

The circuit is based on  Class A preamplifier BURR BROWN  which allows serious amounts of sustain and at the same time ensures a high level of dynamics and a low amount of hum.

CLEAN channel –  gets a beautiful creamy and juicy crunch, that melts in your ears like a chocolate bar in your mouth.

DRIVE channels – it's great for boosting, wide and juicy drive with a lot of midrange tones, without cutting the low edge.

Vanilla Sky Overdrive was made to create an effect, which would retain it's dynamics, and allow the guitar individual tone to shine through even at the highest GAIN settings. A complete analog signal line helps achieve a rich, and organic sound. 

Dynamic overdrive equipped in four-position clipping mode for different harmonic sound tuning and with audiophile Class A preamplifier – OPA at drive stage, is great for crunchy rhythm and a nice thick bluesy lead. Brown Sugar it's a fat brown cat that'll give you the sound of an overdriven vintage valve amp, with warm and crunchy claws. 

High Impedance input , Unity Gain, Class A, Buffer Preamp with its superior RFI rejecting capability (to eliminate Radio Station interference, so no BBC NEWS when you are playing) and Low Impedance Audio output, allowing the use of extended cable runs from Brown Sugar pedal in bypass mode.

Classic tube driver, inspired by David Gilmour of Pink Floyd. The first  version was built for Maciej Meller of RIVERSIDE special for WASTELAND TOUR 2018/2019, where we can hear it in solo RIVER DOWN BELOW. This is a booster/overdrive pedal with an IC and vacuum tube ( MULLARD style 12AX7 )  driven preamp circuit inside. We can get a smooth, light overdrive tone, to a classic rock-style heavy distortion.

At high gain, it is like a lead crunch tone of a Marshall JCM800 amplifier. Inside is a hybrid fuzz – pre amp circuit. The hard clipping part of the distortion comes from the integrated Class A preamplifier BURR BROWN OPA2134.

Quartet of Best Fuzzes, inspired by THE EDGE of U2.

Original FUZZ has been around since 1966, and it shows no signs of dying any time soon. 

This razor shows all kinds of different variations, from basic original, to PNP Germanium to NPN Silicon, a countless number of fuzz pedals that are based on it.

The Fuzz Face has been in every pedalboard of every famous guitar player that has ever lived. MLC Elevation Fuzz is well with no end if we are talking about the possibility of sound modulation in a Fuzz family. 

Our product is a solution for mismatch of the impedance in the electrical circuit between the pickup and the subsequent equipment in our effects have been completely eliminated, thanks to the use of our Class A Pre-amplifier. 

MLC JAZZY DRIVE is an overdrive built on the platform of the vintage overdrive, but the modifications give it a new, individual character. Thanks to incorporating and OPA BURR BROWN circuit as well as polypropylene capacitors we reached a perfect ‘tube tone’. The clear tone allows all nuances of solo and chord play to remain wide and transparent.

Is a Line mixer designed for guitar systems but not excluded.

"Dual Stereo Line Mixer", enables easy mix of signal from your amplifier with line signal coming from effects processors. In result we achieve, fundamentally lower noise ratio and overall, non-digitized warm, analog sound.

 It's an elephant the size of a mouse, it's small size and flexibility make it useful for small keyboard systems or anywhere where a small mixer is needed. 

Many people are curious how to force their guitar systems to sound like John Petrucci, Edie Van Halen, Slash, Steve Stevens or The Edge. However, not many know what their advanced control systems look like. We would like you to get a step closer to the world's top.